Planning a town and a country in a hundred and eighty pages
Calvin Hin-Long Po, Architectural Association School of Architecture, UK
Awards RIBA President's Awards for Research 2021
Category History and Theory
![PAR202129700455jpg](https://riba-prd-assets.azureedge.net/-/media/GatherContent/RIBA-London-Practice-of-the-Month/Image-One/PAR202129700455jpg.jpg?rev=bdd66ef50a084394a8db9932005b763b&h=455&w=700&la=en&hash=796D609866282A871A09020266AF27C5)
Behind canons of post-WW2 architects and how they redefined Englands townscape, an invisible, parallel history made this possible: the legislative apparatus that made the state the final arbiter of all development. With recent governments questioning the 1947 Town and Country Planning Acts legacies, this paper traces modern planning powers origins further to an embryonic moment: Uthwatt Committees Report (1942). This paper interrogates the Reports role as an invisible architect of the postwar English townscape
This paper interweaves two narratives: the Reports analysis, and a walk through Hatfield, a peripatetic reading of the Reports co-authorship over this Hertfordshire town.
Through analysing the Reports text and context, this paper reveals how Uthwatt exceeded its original mandate to fix a technical planning mechanism (compensation and betterment, i.e. land value taxation). This paper deconstructs Uthwatts arguments for radical solutions based on total war centralisation, post-Blitz urgency, failing laissez-faire markets, and post-Depression trends towards technocratic rationalism. It examines impacts of Uthwatts proposals: unprecedentedly extending planning controls nationwide, empowering compulsory purchase at capped prices, and critically, nationalising development rights of land. The latter fundamentally reformulated land ownership: from previously entitling landowners to develop land unless restricted by state, to having no rights to develop unless permitted. Even with todays proposals for first-principles planning reform, this remains the foundational legitimacy of all planning legislation since, demarcating the line where individual property rights end and public (or states) interest begins.
From wartime requisitioning of private (aristocratic) property in Hatfield House, suburban house extensions, to its New Town, Hatfields urban fabric becomes a palimpsest of the Reports ideas, inscribed onto planning legislation, and onto Englands town and country. This paper elucidates power relationships between legislating/governing and architecture, bureaucratic text and architectural experience, both in this papers own text and its calligram-based typography, visualising textual interplay on this papers pages.